This software allows users to create audio transients on Mac OS X, enabling them to accurately modify the attack and release of audio recordings to achieve desired sound effects. It offers an intuitive interface and simple workflow for easy use.
If you're looking for a software tool that can give you direct control over the attack and sustain characteristics of natural sounds, then you might want to check out the Transient Former TDESIGN. At first glance, this might seem like a pretty standard feature, but after playing with this unit for a few minutes, you'll quickly realize that it's a powerful and creative tool.
One of the key benefits of the Transient Former is that it allows you to take a recording of a seemingly unremarkable drum kit and dial in some really hard-hitting attack, or soften it all up. You can also use the sustain control to work on the decay portion of sounds; with drums, you can tighten up the sound to produce fast, dry decay, or make them ring out as if you'd taken the dampers off the kit. This is like having remote control over the amount of damping tape stuck to the drum heads, but after the recording.
One of the more unique features of the TDESIGN software is the ability to shape the transient not just amplitude-wise, but also through a dynamically controlled 24 dB lowpass filter with resonance control. This gives you the opportunity to change the sound in a way that is normally only possible if you recreate it with a synthesizer! The transient design process works best on drums and other material that exhibits strong rhythmical components, but it's worth trying on other input sources as well.
What's great about TDESIGN is that the process is independent of level, meaning that the effect is always the same, regardless of whether the input signal is loud or soft. Additionally, aside from a compressor which typically offers a similar effect, there's nothing quite like this on the market.
Overall, if you want to take your sound design to the next level, give TDESIGN a try. With its unique features and creative potential, it might just be the thing you need to really make your tracks stand out.
One of the key benefits of the Transient Former is that it allows you to take a recording of a seemingly unremarkable drum kit and dial in some really hard-hitting attack, or soften it all up. You can also use the sustain control to work on the decay portion of sounds; with drums, you can tighten up the sound to produce fast, dry decay, or make them ring out as if you'd taken the dampers off the kit. This is like having remote control over the amount of damping tape stuck to the drum heads, but after the recording.
One of the more unique features of the TDESIGN software is the ability to shape the transient not just amplitude-wise, but also through a dynamically controlled 24 dB lowpass filter with resonance control. This gives you the opportunity to change the sound in a way that is normally only possible if you recreate it with a synthesizer! The transient design process works best on drums and other material that exhibits strong rhythmical components, but it's worth trying on other input sources as well.
What's great about TDESIGN is that the process is independent of level, meaning that the effect is always the same, regardless of whether the input signal is loud or soft. Additionally, aside from a compressor which typically offers a similar effect, there's nothing quite like this on the market.
Overall, if you want to take your sound design to the next level, give TDESIGN a try. With its unique features and creative potential, it might just be the thing you need to really make your tracks stand out.
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